ASSEMANI, Simone. Globus caelestis Cufico-Arabicus Veliterni Musei Borgiani ... illustratus. Praemissa ejusdem De Arabum astronomia dissertatione et adjectis duabus epistolis Cl. Josephi Toaldi.
Padua, Seminary printing office, 1790. Small folio (21.5 x 29.5 cm). With 3 large folding engraved plates. Contemporary green half calf, gold-tooled spine, marbled sides. [16], CCXIX, [9] pp. Full description

BAILLY, Jean-Sylvain. Histoire de l'astronomie ancienne, depuis son origine jusqu'a l'établissement de l'École d'Alexandrie.
Paris, Debure brothers, 1775. 4to. With 3 numbered folding engraved plates. Beautifully bound in contemporary gold-tooled red morocco, each board with coat of arms of Simon-Pierre Merard de Saint-Just in the centre, marbled endpapers. In modern slipcase covered with marbled paper. [2], XXII, 526 pp. Full description

BRUNETTI, Francesco Saverio. Trattenimenti scientifici su la sfera, geografia istorica, meteore, ed astronomia.
Rome, Bernabò and Lazzarini, 1754. With several woodcut illustrations in the text (including an armillary sphere), and an extra added folding engraved frontispiece.
With:
(2) BRUNETTI, Francesco Saverio. Trattenimenti scientifici su lindrografia, nautica, blasone, statica, meccanica, architectura, pirotecnia, e suono.
Roma, Bernabò and Lazzarini, 1755. With several woodcut illustrations in the text, and an extra added frontispiece (facsimile of an engraving?).
(3) BRUNETTI, Francesco Saverio. Macchina semplicissima per cui lacqua da se stessa salice ad una data altezza.
Rome, Bernabò and Lazzarini, 1747. With folding engraved plate as frontispiece. 3 works (the first in 2 parts) in 1 volume. 4to. Contemporary sheepskin parchment. [24], 180, 112; [8], 173, [3 blank]; 12 pp. Full description

EFFENDI, Mahmoud. Mémoire sur le calendrier arabe avant l'Islamisme, et sur naissance et l'age du prophète Mohammad.
[Brussels, 1861?]. 4to. Modern paper wrappers. 45, [1 blank] pp. Full description

GALLUCCI, Giovanni Paolo. Della fabrica et uso di diversi stromenti di astronomia, et cosmografia, ove si vede la somma della teorica, et pratica di queste due nobilissime scienze.
Venice, Roberto Meietti, 1598. 4to (22 x 16.5 cm). With engraved title-page, folding woodcut plate, 3 woodcut volvelles with moving parts, and numerous woodcut illustrations in text. Including a world map in two hemispheres (incl. America and a scattering of islands at the location of Australia) on two facing pages, they reappear with volvelle attachments on both sides of leaf 149 and leaf 153. Contemporary limp sheepskin parchment. [8], 228 ll. Full description

KIRCHER, Athanasius. Magnes sive de arte magnetica opus tripartitum quo universa magnetis natura, eiusque in omnibus scientiis & artibus usus, nova methodo explicatur: ...
Rome, Biagio Diversin and Zanobio Masotti (printed by Vitale Mascardi), 1654. Folio. With engraved frontispiece by F. Valentius, letterpress title-page printed in red and black with engraved double publisher's device, full-page engraved plate with the portrait of Emperor Ferdinand IV, 34 mostly full-page engraved illustrations, 215 woodcut illustrations and about 50 letterpress tables. Contemporary overlapping vellum. [32], 618, [28] pp. Full description

MAZZOTTA, Benedetto. De triplici philosophia naturali, astrologica, et minerali. In quibus differit cohaerenter de elementis, & variis mixtorum proprietatibus. ... Opus theol. philos. medicis, chymicis, & astrologis jucundum, ac simul utile.
Bologna, Giovanni Bapttista Ferroni, 1653. 4to. With an engraved heraldic and allegorical frontispiece drawn and engraved by Bartolomeo Coriolano with the arms of the dedicatee Hipolyto Cattaneo, a full-page engraving (with 7 figures) on an integral leaf, and 2 engraved illustrations and 2 woodcut diagrams in the text. Contemporary boards covered with a vellum leaf from a 16th-century(?) plain-chant manuscript antiphonary. Frontispiece plus [10], [2 blank], 148, “252” [= 272] pp. Full description

NUNES, Pedro. De crepusculis liber unus, nu[n]c rece[n]s & natus et editus.Including: [Abu 'Abd Allah Muhammad ibn MU'ADH] (mis-attributed to Ibn AL-HAYTHAM). De causis crepusculorum liber unus, à Gerardo Cremonensi iam olim Latinita te donatus, nunc vero omniu[m] primum in lucem editus.
(Colophon: Lisbon, Ludovicus Rodericus, January 1542). 4to. With woodcut architectural title-page with an arch containing putti and mythological figures (including 2 winged female fauns holding drapery, with the Royal Portuguese coat of arms at the foot and an armillary sphere at the head, 40 woodcut diagrams concerning astronomy, spherical geometry, optics and geodessy in the text, Rodericus's spectacular full-page emblematic woodcut device (a dragon with the motto "salus vitae" on a banderole), numerous woodcut initials (several series), and a vine-leaf ornament (a variant of Vervliet 94?). Set mostly in the first successful italic type to have sloped capitals, cut by Peter Schoeffer the younger, but with extensive passages in roman. Bound in a period-style Italian calf binding, gold-tooled spine, each board with a blind-tooled frame and a gold-tooled centrepiece, with "Petri Nonii" on the front and "MDXLII" on the back. [73], [1 blank] ll. Full description

PASHA, Ahmed Muhtar Riyaz ül-muhtar, mirat ül-mikat ve 'l-edvar.
Cairo, Bulaq Matbaasi, 1303-1313 AH [= 1885-1896 CE]. 3 volumes bound as 1 (plates, text, and appendix). Large 4to (29.5 x 21 cm). Text in Ottoman Turkish, set in a naskh Arabic type, most pages in a thin-thick-thin-rule frame. With a separate title-page and 36 full-page, numbered plates (including 1 double-page) on 36 leaves at the beginning of the book and 1 folding plate at the end. Later elaborately gold- and blind-tooled brown calf, each board with a blind ornamental frame with corner pieces and a gold centre piece. Spine with the title in gold Arabic lettering in the 2nd of 6 compartments, the other 5 with blind ornaments and gold fillets on the 5 raised bands, marbled endpapers, red ribbon marker. [10], 378, [1 blank]; 58 pp. Full description

PLINIUS SECUNDUS, Gaius. Opus divinum, cui titulus historiae naturalis, multoqua[m] antehac unqua[m] prodiit in luce[m] castigatius, una cu[m] annotationibus Hermanolai Barbari ...
Paris, Jean Petit (colophon: Nicolaus Sauetier), 1526. 2 parts in 1 volume (bound in reverse order). Folio. With title-page to the main work (bound second) printed in red and black and title-page to the index (bound first), each in a four-piece woodcut border. Contemporary or near contemporary calf, with the boards richly blind-tooled in a panel design; rebacked with part of the original backstrip laid down. [188], [34], "CCCCCXXXVI" [= CCCCCXXXVIII] pp. Full description