Islamic Culture / Arabic Printing & Calligraphy

[AHMED-I MISRI and/or SEYHZADE]. BELLETESTE, Henri-Nicolas (editor). [in Arabic type:] Kýrk vezir hikâyeleri ... = Contes Turcs en langue Turque, extraits de roman intitulé, Les quarante vizirs.
Paris, Imprimerie Impériale ("chez" (sold by?) Guillaume Debure and sons), 1812. 4to. With the text in Ottoman Turkish set entirely in Arabic type, with only a second title-page in French, the book opening from the left wrapper with the Turkish title-page and the pages proceeding from left to right, while it opens from the right wrapper with the French title-page. The Turkish and French title-pages, the former in a decorative frame, include Napoleons woodcut imperial coat of arms: eagle clutching a thunderbolt, mantled and with the imperial crown, the collar (with an "N") and badge of the Legion of Honour and the crossed sceptres of mercy and justice, printed from two different blocks (that on the Turkish title-page is smaller and the points of the sceptres extend beyond the mantling). The first page of the text is set in a richly decorated frame in the traditional Islamic style. With: (2) IDEM. A second copy of the same edition, omitting the Turkish title-page and the last 50 leaves (pp. 161-258 & 2 unnumbered), but including the original publishers front wrapper (containing a short form of the title), and with a French manuscript translation of the Turkish text written in the margins.
Ad 1 in contemporary blue paper wrappers with a white printed spine label, stored in a 20th-century custom-made case: half red morocco with the title in gold on the spine and block-printed (green on white) paste-paper sides; ad 2 sewn and with the original publishers printed-paper front wrapper. [2], 258, [2]; 160 pp. Full description

AL-ZAMAKHSHARI, Abu al Qasim Mahmoud ibn Omar (Joseph von HAMMER-PURGSTALL, ed.). Samachschari's Goldene Halsbänder. Als Neujahrsgeschenk arabisch und deutsch.
Vienna, widow of A. Strauss, 1835. 8vo. With two identical plates showing the golden necklace around a calligraphic Arabic inscription, the necklace hand-coloured in gold and the inscription in blue, as a frontispiece for both the Arabic and the German text (on the first and the last page). The Arabic title is incorporated into a printed circular medallion with decorative points at the head and foot on the first page, and the main Arabic text opens on the back of the same leaf with an elaborate headpiece. Text set in German and Arabic. Contemporary green calf (spine faded to brown), with a gold- and blind-stamped frame on each board. [1], [1 blank], 54 pp. (German text); 27, [1] ll. (Arabic text). Full description

AL-SUYUTI, Abd al-Rahman ibn Abi Bakr. De proprietatibus, ac virtutibus medicis animalium, plantarum, ac gemmarum, tractatus triplex.
Paris, Sébastien et Gabriel Cramoisy, 1647. 8vo. With 2 woodcut headpieces, a woodcut tailpiece and woodcut decorate initials, plus decorations built up from arabesque typographic ornaments. Set in roman and italic type with a few words in Greek, Hebrew, Arabic and Syriac. Contemporary vellum with manuscript spine label (faded). [24], 179, [17] pp. Full description

AL-ZAMAKHSHARI and Jens Peter BROCH. Al-Mufassal, opus de re grammatica Arabicum.
Oslo, W.C. Fabritius, 1859. 8vo. Near contemporary cloth with title in gold on spine, covered with protective plastic. 229, [5] pp. Full description

BELLARMINO, Roberto. [Title in Arabic] | Dichiarazione piú copiosa della dottrina cristiana... Tradotta dalla lingua italiana nellaraba, e dora di bel nuovo stampata.
Rome, [Propaganda Fide], 1770.
With: (2) BORGIA, Stefano. Irsad li-ajl al-i'tiraf wa-tanawul al-qurban, ... [= Instructions for confession and communion]
[Rome, Propaganda Fide, 1770?].
2 works in 1 volume. 8vo. The catechism with a woodcut of fruits and branches on the title-page and 2 woodcut headpieces The instructions with the title in a decorative border built up from cast fleurons, 1 woodcut headpiece and several further decorations built up from cast fleurons. Except for the bilingual title-page to the Bellarmino and the imprimatur on the last printed page of the Borgia, both works are set entirely in Arabic type. Contemporary half sheepskin, manuscript title on spine, paste paper sides, sprinkled edges. 411, [1 blank]; 109, [1 blank], [1], [3 blank] pp. Full description

[BIBLE - NEW TESTAMENT - GOSPELS - ARABIC & LATIN]. Arba`at Anajil Yasu` al-Masih Sayyidina al-Muqaddasah. Sacrosancta quatuor Iesu Christi D. N. Evangelia. Arabice scripta, Latine reddita, figurisq[ue] ornata.
Rome, Typographia Medicea, (1591)-1619. Folio (26 x 36.5 cm). Title-page printed in red and black, with the woodcut Medici coat of arms 81 woodcut illustrations in the text (plus 68 repeats), some initialled LP for the block cutter (Leonardo Parassole or less likely Lucas Pennis) and some also AT for the artist (Antonio Tempesta). Set in naskh Arabic type with the interlinear Latin text in roman. Contemporary Italian flexible boards with manuscript title on spine. [4], 9-462, [2] pp. Full description

BURTON, Sir Richard Francis. Falconry in the valley of the Indus.
London, Van Voorst, 1852. 8vo. With a tinted lithographed frontispiece, 3 plates and with an 8-page publishers catalogue at the end. Original publisher's cloth. [16], 107, [1]; 8 pp. Full description

CAÑES, Francisco. Gramatica Arabigo-Española, vulgar, y literal. Con un diccionario Arabigo-Español, en que se ponen las voces mas usuales para una conversacion familiar, con el texto de la doctrina Cristiana en el idioma Arabigo.
Madrid, Don Antonio Perez de Soto, 1775. 4to. With Perez de Soto's device on the title-page. Set in roman, italic and Arabic type. Contemporary mottled sheepskin. [1], [1 blank], [14], 272, [5], [2 blank], XVII pp. Full description

[AUTOGRAPHS]. DORN, Bernard. [21 autograph letters, signed, to Marie-Félicité Brosset].
Saint Petersburg, ca. 1840-1879. 8vo (letters, mostly 21 x 13.5 cm) and folio (list of publications). Letters in French with an occasional (Persian?) word in Arabic script, written in black ink on paper, some with the address on the outside and one with Dorn's (Persian?) red wax seal in Arabic script.
With: (2) [Manuscript chronological numbered list of 34 publications by Dorn, 1843-1865].
[Saint Petersburg, ca. 1865]. 20 letters [4] pp. each (some including blanks); 1 letter [1, 1 blank] pp.; list of publications [4] pp. Full description

EGE, Otto F (compiler & author of the annotations). [Drop-title:] Fifteen original oriental manuscript leaves of six centuries. [Binding title:] Fifteen original oriental manuscripts.
[Cleveland, Ohio?], [Cleveland Institute of Art or Western Reserve University?], [ca. 1952]. 15 manuscript leaves (in one case a fragment of a scroll) of various formats and sizes, some glazed (see the detailed list of contents for specific dimensions), 7 written on straight-forward laid paper (European and non-European), 6 more problematic (probably all non-European), 1 on straight-forward wove paper (no. 14, supposedly made in Russia) and one on vellum (no. 7), most rubricated and/or decorated in various colours, some decorated or highlighted in gold. Each manuscript leaf is mounted (hinged on one edge to allow access to both sides of the leaf) in a passe-partout (46.5 x 33 cm) and each has a letterpress slip (10 x 18 cm) with explanatory text tipped onto the foot of the passe-partout. The publication has no title-page but includes a letterpress folio leaf that serves as a table of contents and has the drop-title given above (the present copy contains two copies of that contents leaf). The display typeface used in the letterpress leaves (and on the portfolio) is the 1938 Libra by the Dutch designer Sjoerd de Roos, inspired by uncial manuscripts. Publishers original portfolio (48.5 x 34 x 4.5 cm) covered with black cloth with on-lays in black and red on the front and the authors name in white and title in red on the spine, with three pairs of black ties (one on the inside) and a label on the inside of the right black flap giving information about the limited edition: "Edition limited to forty numbered sets of which this is No 33". [1] leaf (plus a duplicate) plus 15 original manuscript leaves mounted in white passe-partouts. Full description